How to Write an Unreliable Narrator that Keeps Readers Guessing

WRITING ADVICE

4 min read

An unreliable narrator adds tension, surprise, and depth to your storytelling. By filtering the world through a voice that can’t be fully trusted, you invite readers to question everything they’re told. It’s a powerful technique. When done right, it can create mystery, suspense, or a gut-wrenching twist.

But crafting an effective unreliable narrator takes more than just having them tell a few lies. You need to carefully control how they present reality, how much truth slips through, and when the reader begins to suspect the cracks in their story.

How to Write an Unreliable Narrator that Keeps Readers Guessing

1. Make Them a Liar, But Don’t Make It Obvious

At the core of most unreliable narrators is dishonesty, but not every lie should be clear from the start. Let the deception build gradually. Use contradiction, omission, and misdirection.

Ways to Show They’re Lying:

  • Have them contradict themselves in subtle ways across chapters or scenes.

  • Reveal through action what they deny in narration. (“I didn’t care that she left,” they say, right before sobbing alone.)

  • Let them “hint” at truths but never commit: “I suppose I could’ve stopped it, but who’s to say?”

  • Leave suspicious gaps in memory. A missing hour. A fuzzy night. A traumatic event that’s been “forgotten.”

Even if the reader doesn’t catch on right away, these inconsistencies will build a quiet unease.

2. Shift Their Motives

Your narrator shouldn’t be easily pinned down. Give them conflicting desires, and let their narrative reflect that confusion or mislead the reader entirely.

Are they in love, or are they obsessed? Do they want to protect someone, or are they controlling them? Are they confessing, or manipulating?

Let their tone change over time. Let them rationalize cruel actions. Let them second-guess themselves or pretend to.

The less the reader understands your narrator’s true intentions, the more compelling and unsettling the story becomes.

3. Make Them Seem Simpler Than They Are

Some of the best unreliable narrators are wolves in sheep’s clothing.

Present your character as naive, innocent, or emotionally stunted, only to peel back the layers and show how calculated, observant, or ruthless they truly are.

Examples:

  • A childlike narrator who “accidentally” causes harm while claiming not to understand the consequences.

  • A seemingly meek housewife who is quietly orchestrating revenge.

  • A clueless best friend who turns out to be the manipulator all along.

The reveal hits harder when the reader has underestimated them.

4. Use Secondary Characters as Mirrors and Messengers

Other characters are your most powerful tools for exposing the narrator’s flaws.

Use them to:

  • Call out your narrator’s lies or omissions.

  • Share a different version of past events.

  • React with visible discomfort, distrust, or fear around the narrator, especially if the narrator acts like nothing is wrong.

  • Be victims of the narrator’s manipulations, without realizing it until too late.

Let the secondary cast reveal truths that the narrator won’t or can’t.

5. Include One Unpredictable, Disturbing Act

Sometimes, a single shocking moment is enough to make readers reevaluate everything.

Have your narrator do something sudden, jarring, or emotionally dissonant, something that doesn’t align with the version of themselves they’ve built.

Examples:

  • A grieving woman calmly packs her husband's clothes, then lights them on fire.

  • A teenage boy who narrates with bravado suddenly curls into a fetal position when confronted.

  • A “harmless” loner casually describes how he watched someone drown without helping.

This moment cracks their facade and invites readers to question what else is being hidden.

6. Control the Flow of Truth

Timing is everything. With unreliable narrators, what’s not said is often more powerful than what is.

Hold back key information. Let readers draw conclusions from what the narrator chooses to reveal. Then, later in the story, turn those conclusions upside down.

This creates a reading experience full of tension and discovery, and when the truth is finally revealed, it lands with full emotional weight.

7. Decide Why They’re Unreliable

There are different types of unreliable narrators, and choosing the right one will help shape the tone and structure of your story.

The 4 Classic Archetypes:

  • The Liar: They deceive on purpose to protect themselves, hide a crime, or manipulate others.

  • The Madman: Their unreliability comes from mental instability, hallucinations, or paranoia. They genuinely believe their own distorted reality.

  • The Naif: Often young, inexperienced, or sheltered, this narrator is unreliable because they misunderstand the world around them.

  • The Picaro: A boastful or self-aggrandizing character who exaggerates or embellishes the truth for effect.

Each type allows for a different kind of twist, tone, and revelation. You can even blend them, perhaps your narrator is a liar and emotionally unstable, or a naive child with selective memory.

8. Keep the Reader Engaged, Even in Doubt

Even if readers suspect the narrator is unreliable, they should still be invested. This means:

  • Giving the narrator a strong voice or compelling personality.

  • Letting them have clear goals or emotional stakes.

  • Showing glimpses of vulnerability that make readers care or at least want to understand them.

If your narrator is unreliable but dull, readers will disconnect. If they’re unreliable but magnetic, readers will hang on every word, looking for the truth between the lies.

Final Thoughts

An unreliable narrator invites your reader into a game of trust, only to break that trust in fascinating, devastating, or thrilling ways. When done well, this narrative tool can flip a story on its head, deepen emotional complexity, and turn the final page into a revelation.

Remember: the key isn’t just to hide the truth, it’s to reveal it slowly, skillfully, and in a way that makes readers question everything they thought they knew.

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